Magicians baffled the demons by providing a charm. If a patient "touched iron"--meteoric iron, which was the "metal of heaven"--relief could be obtained. Or, perhaps, the sacred water would dispel the evil one; as the drops trickled from the patient's face, so would the fever spirit trickle away. When a pig was offered up in sacrifice as a substitute for a patient, the wicked spirit was commanded to depart and allow a kindly spirit to take its place--an indication that the Babylonians, like the Germanic peoples, believed that they were guarded by spirits who brought good luck.

The numerous incantations which were inscribed on clay tablets and treasured in libraries, do not throw much light on the progress of medical knowledge, for the genuine folk cures were regarded as of secondary importance, and were not as a rule recorded. But these metrical compositions are of special interest, in so far as they indicate how poetry originated and achieved widespread popularity among ancient peoples. Like the religious dance, the earliest poems were used for magical purposes. They were composed in the first place by men and women who were supposed to be inspired in the literal sense; that is, possessed by spirits. Primitive man associated "spirit" with "breath", which was the "air of life", and identical with wind.

The poetical magician drew in a "spirit", and thus received inspiration, as he stood on some sacred spot on the mountain summit, amidst forest solitudes, beside a' whispering stream, or on the sounding shore.

Or, perhaps, the bard received inspiration by drinking magic water from the fountain called Hippocrene, or the skaldic mead which dripped from the moon.

The ancient poet did not sing for the mere love of singing: he knew nothing about "Art for Art's sake". His object in singing appears to have been intensely practical. The world was inhabited by countless hordes of spirits, which were believed to be ever exercising themselves to influence mankind. The spirits caused suffering; they slew victims; they brought misfortune; they were also the source of good or "luck". Man regarded spirits emotionally; he conjured them with emotion; he warded off their attacks with emotion; and his emotions were given rhythmical expression by means of metrical magical charms.

Poetic imagery had originally a magical significance; if the ocean was compared to a dragon, it was because it was supposed to be inhabited by a storm-causing dragon; the wind whispered because a spirit whispered in it. Love lyrics were charms to compel the love god to wound or possess a maiden's heart--to fill it, as an Indian charm sets forth, with "the yearning of the Apsaras (fairies)"; satires conjured up evil spirits to injure a victim; and heroic narratives chanted at graves were statements made to the god of battle, so that he might award the mighty dead by transporting him to the Valhal of Odin or Swarga of Indra.

Similarly, music had magical origin as an imitation of the voices of spirits--of the piping birds who were "Fates", of the wind high and low, of the thunder roll, of the bellowing sea. So the god Pan piped on his reed bird-like notes, Indra blew his thunder horn, Thor used his hammer like a drumstick, Neptune imitated on his "wreathed horn" the voice of the deep, the Celtic oak god Dagda twanged his windy wooden harp, and Angus, the Celtic god of spring and love, came through budding forest ways with a silvern harp which had strings of gold, echoing the tuneful birds, the purling streams, the whispering winds, and the rustling of scented fir and blossoming thorn.

Modern-day poets and singers, who voice their moods and cast the spell of their moods over readers and audiences, are the representatives of ancient magicians who believed that moods were caused by the spirits which possessed them--the rhythmical wind spirits, those harpers of the forest and songsters of ocean.

The following quotations from Mr. R.C. Thompson's translations of Babylonian charms will serve to illustrate their poetic qualities:--

These early poets had no canons of Art, and there were no critics to disturb their meditations. Many singers had to sing and die ere a critic could find much to say. In ancient times, therefore, poets had their Golden Age-- they were a law unto themselves. Even the "minors" were influential members of society.

Abstract

Rise of the Sun God--Amorites and Elamites struggle for Ascendancy--The Conquering Ancestors of Hammurabi--Sumerian Cities Destroyed--Widespread Race Movements--Phoenician Migration from Persian Gulf--Wanderings of Abraham and Lot--Biblical References to Hittites and Amorites--Battles of Four Kings with Five--Amraphel, Arioch, and Tidal--Hammurabi's Brilliant Reign--Elamite Power Stamped Out--Babylon's Great General and Statesman--The Growth of Commerce, Agriculture, and Education--An Ancient School--Business and Private Correspondence--A Love Letter--Postal System--Hammurabi's Successors--The Earliest Kassites--The Sealand Dynasty--Hittite Raid on Babylon and Hyksos Invasion of Egypt.

Sun worship came into prominence in its most fully developed form during the obscure period which followed the decline of the Dynasty of Isin. This was probably due to the changed political conditions which brought about the ascendancy for a time of Larsa, the seat of the Sumerian sun cult, and of Sippar, the seat of the Akkadian sun cult. Larsa was selected as the capital of the Elamite conquerors, while their rivals, the Amorites, appear to have first established their power at Sippar.

Babbar, the sun god of Sippar, whose Semitic name was Shamash, must have been credited with the early successes of the Amorites, who became domiciled under his care, and it was possibly on that account that the ruling family subsequently devoted so much attention to his worship in Merodach's city of Babylon, where a sun temple was erected, and Shamash received devout recognition as an abstract deity of righteousness and law, who reflected the ideals of well organized and firmly governed communities.

The first Amoritic king was Sumu-abum, but little is known regarding him except that he reigned at Sippar. He was succeeded by Sumu-la-ilu, a deified monarch, who moved from Sippar to Babylon, the great wall of which he either repaired or entirely reconstructed in his fifth year. With these two monarchs began the brilliant Hammurabi, or First Dynasty of Babylonia, which endured for three centuries. Except Sumu-abum, who seems to stand alone, all its kings belonged to the same family, and son succeeded father in unbroken succession.

Sumu-la-ilu was evidently a great general and conqueror of the type of Thothmes III of Egypt. His empire, it is believed, included the rising city states of Assyria, and extended southward as far as ancient Lagash.

Of special interest on religious as well as political grounds was his association with Kish. That city had become the stronghold of a rival family of Amoritic kings, some of whom were powerful enough to assert their independence. They formed the Third Dynasty of Kish. The local god was Zamama, the Tammuz-like deity, who, like Nin-Girsu of Lagash, was subsequently identified with Merodach of Babylon. But prominence was also given to the moon god Nannar, to whom a temple had been erected, a fact which suggests that sun worship was not more pronounced among the Semites than the Arabians, and may not, indeed, have been of Semitic origin at all.

Perhaps the lunar temple was a relic of the influential Dynasty of Ur.

Sumu-la-ilu attacked and captured Kish, but did not slay Bunutakhtunila, its king, who became his vassal. Under the overlordship of Sumu-la-ilu, the next ruler of Kish, whose name was Immerum, gave prominence to the public worship of Shamash. Politics and religion went evidently hand in hand.

Sumu-la-ilu strengthened the defences of Sippar, restored the wall and temple of Cuthah, and promoted the worship of Merodach and his consort Zerpanitum at Babylon. He was undoubtedly one of the forceful personalities of his dynasty. His son, Zabium, had a short but successful reign, and appears to have continued the policy of his father in consolidating the power of Babylon and securing the allegiance of subject cities. He enlarged Merodach's temple, E-sagila, restored the Kish temple of Zamama, and placed a golden image of himself in the temple of the sun god at Sippar. Apil-Sin, his son, surrounded Babylon with a new wall, erected a temple to Ishtar, and presented a throne of gold and silver to Shamash in that city, while he also strengthened Borsippa, renewed Nergal's temple at Cuthah, and dug canals.

The next monarch was Sin-muballit, son of Apil-Sin and father of Hammurabi. He engaged himself in extending and strengthening the area controlled by Babylon by building city fortifications and improving the irrigation system. It is recorded that he honoured Shamash with the gift of a shrine and a golden altar adorned with jewels. Like Sumu-la-ilu, he was a great battle lord, and was specially concerned in challenging the supremacy of Elam in Sumeria and in the western land of the Amorites.

For a brief period a great conqueror, named Rim-Anum, had established an empire which extended from Kish to Larsa, but little is known regarding him. Then several kings flourished at Larsa who claimed to have ruled over Ur. The first monarch with an Elamite name who became connected with Larsa was Kudur-Mabug, son of Shimti-Shilkhak, the father of Warad-Sin and Rim-Sin.

It was from one of these Elamite monarchs that Sin-muballit captured Isin, and probably the Elamites were also the leaders of the army of Ur which he had routed before that event took place. He was not successful, however, in driving the Elamites from the land, and possibly he arranged with them a treaty of peace or perhaps of alliance.

Much controversy has been waged over the historical problems connected with this disturbed age. The records are exceedingly scanty, because the kings were not in the habit of commemorating battles which proved disastrous to them, and their fragmentary references to successes are not sufficient to indicate what permanent results accrued from their various campaigns. All we know for certain is that for a considerable period, extending perhaps over a century, a tremendous and disastrous struggle was waged at intervals, which desolated middle Babylonia. At least five great cities were destroyed by fire, as is testified by the evidence accumulated by excavators. These were Lagash, Umma, Shurruppak, Kisurra, and Adab.

The ancient metropolis of Lagash, whose glory had been revived by Gudea and his kinsmen, fell soon after the rise of Larsa, and lay in ruins until the second century B. C. , when, during the Seleucid Period, it was again occupied for a time. From its mound at Tello, and the buried ruins of the other cities, most of the relics of ancient Sumerian civilization have been recovered.

It was probably during one of the intervals of this stormy period that the rival kings in Babylonia joined forces against a common enemy and invaded the Western Land. Probably there was much unrest there. Great ethnic disturbances were in progress which were changing the political complexion of Western Asia. In addition to the outpourings of Arabian peoples into Palestine and Syria, which propelled other tribes to invade Mesopotamia, northern Babylonia, and Assyria, there was also much unrest all over the wide area to north and west of Elam. Indeed, the Elamite migration into southern Babylonia may not have been unconnected with the southward drift of roving bands from Media and the Iranian plateau.

It is believed that these migrations were primarily due to changing climatic conditions, a prolonged "Dry Cycle" having caused a shortage of herbage, with the result that pastoral peoples were compelled to go farther and farther afield in quest of "fresh woods and pastures new". Innumerable currents and cross currents were set in motion once these race movements swept towards settled districts either to flood them with human waves, or surround them like islands in the midst of tempest-lashed seas, fretting the frontiers with restless fury, and ever groping for an inlet through which to flow with irresistible force.