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From Complete Book of A Treatise of Human Nature
By Unknown Author
The idea of a substance as well as that of a mode, is nothing but a collection of Simple ideas, that are united by the imagination, and have a particular name assigned them, by which we are able to recall, either to ourselves or others, that collection. But the difference betwixt these ideas consists in this, that the particular qualities, which form a substance, are commonly referred to an unknown something, in which they are supposed to inhere; or granting this fiction should not take place, are at least supposed to be closely and inseparably connected by the relations of contiguity and causation. The effect of this is, that whatever new simple quality we discover to have the same connexion with the rest, we immediately comprehend it among them, even though it did not enter into the first conception of the substance. Thus our idea of gold may at first be a yellow colour, weight, malleableness, fusibility; but upon the discovery of its dissolubility in aqua regia, we join that to the other qualities, and suppose it to belong to the substance as much as if its idea had from the beginning made a part of the compound one. The principal of union being regarded as the chief part of the complex idea, gives entrance to whatever quality afterwards occurs, and is equally comprehended by it, as are the others, which first presented themselves.
That this cannot take place in modes, is evident from considering their nature. The simple ideas of which modes are formed, either represent qualities, which are not united by contiguity and causation, but are dispersed in different subjects; or if they be all united together, the uniting principle is not regarded as the foundation of the complex idea. The idea of a dance is an instance of the first kind of modes; that of beauty of the second. The reason is obvious, why such complex ideas cannot receive any new idea, without changing the name, which distinguishes the mode.
A very material question has been started concerning ABSTRACT or GENERAL ideas, WHETHER THEY BE GENERAL OR PARTICULAR IN THE MIND'S CONCEPTION OF THEM. A great philosopher[3] has disputed the received opinion in this particular, and has asserted, that all general ideas are nothing but particular ones, annexed to a certain term, which gives them a more extensive signification, and makes them recall upon occasion other individuals, which are similar to them. As I look upon this to be one of the greatest and most valuable discoveries that has been made of late years in the republic of letters, I shall here endeavour to confirm it by some arguments, which I hope will put it beyond all doubt and controversy.
[3] Dr. Berkeley. [Introd. : to ‘Principles of Human Knowledge,’ secs. 18 &c.
Cf. also Introd. to this volume paragraphs 183 and ff. —Ed.
It is evident, that in forming most of our general ideas, if not all of them, we abstract from every particular degree of quantity and quality, and that an object ceases not to be of any particular species on account of every small alteration in its extension, duration and other properties. It may therefore be thought, that here is a plain dilemma, that decides concerning the nature of those abstract ideas, which have afforded so much speculation to philosophers. The abstract idea of a man represents men of all sizes and all qualities; which it is concluded it cannot do, but either by representing at once all possible sizes and all possible qualities, or by, representing no particular one at all. Now it having been esteemed absurd to defend the former proposition, as implying an infinite capacity in the mind, it has been commonly inferred in favour of the latter: and our abstract ideas have been supposed to represent no particular degree either of quantity or quality. But that this inference is erroneous, I shall endeavour to make appear, first, by proving, that it is utterly impossible to conceive any quantity or quality, without forming a precise notion of its degrees: And secondly by showing, that though the capacity of the mind be not infinite, yet we can at once form a notion of all possible degrees of quantity and quality, in such a manner at least, as, however imperfect, may serve all the purposes of reflection and conversation.
To begin with the first proposition, THAT THE MIND CANNOT FORM ANY NOTION OF QUANTITY OR QUALITY WITHOUT FORMING A PRECISE NOTION OF DEGREES OF EACH; we may prove this by the three following arguments. First, We have observed, that whatever objects are different are distinguishable, and that whatever objects are distinguishable are separable by the thought and imagination. And we may here add, that these propositions are equally true in the inverse, and that whatever objects are separable are also distinguishable, and that whatever objects are distinguishable, are also different. For how is it possible we can separate what is not distinguishable, or distinguish what is not different? In order therefore to know, whether abstraction implies a separation, we need only consider it in this view, and examine, whether all the circumstances, which we abstract from in our general ideas, be such as are distinguishable and different from those, which we retain as essential parts of them.
But it is evident at first sight, that the precise length of a line is not different nor distinguishable from the line itself nor the precise degree of any quality from the quality. These ideas, therefore, admit no more of separation than they do of distinction and difference. They are consequently conjoined with each other in the conception; and the general idea of a line, notwithstanding all our abstractions and refinements, has in its appearance in the mind a precise degree of quantity and quality; however it may be made to represent others, which have different degrees of both.
Secondly, it is contest, that no object can appear to the senses; or in other words, that no impression can become present to the mind, without being determined in its degrees both of quantity and quality. The confusion, in which impressions are sometimes involved, proceeds only from their faintness and unsteadiness, not from any capacity in the mind to receive any impression, which in its real existence has no particular degree nor proportion. That is a contradiction in terms; and even implies the flattest of all contradictions, viz. that it is possible for the same thing both to be and not to be.
Now since all ideas are derived from impressions, and are nothing but copies and representations of them, whatever is true of the one must be acknowledged concerning the other. Impressions and ideas differ only in their strength and vivacity. The foregoing conclusion is not founded on any particular degree of vivacity. It cannot therefore be affected by any variation in that particular. An idea is a weaker impression; and as a strong impression must necessarily have a determinate quantity and quality, the case must be the same with its copy or representative.
Thirdly, it is a principle generally received in philosophy that everything in nature is individual, and that it is utterly absurd to suppose a triangle really existent, which has no precise proportion of sides and angles. If this therefore be absurd in fact and reality, it must also be absurd in idea; since nothing of which we can form a clear and distinct idea is absurd and impossible. But to form the idea of an object, and to form an idea simply, is the same thing; the reference of the idea to an object being an extraneous denomination, of which in itself it bears no mark or character. Now as it is impossible to form an idea of an object, that is possest of quantity and quality, and yet is possest of no precise degree of either; it follows that there is an equal impossibility of forming an idea, that is not limited and confined in both these particulars. Abstract ideas are therefore in themselves individual, however they may become general in their representation.
The image in the mind is only that of a particular object, though the application of it in our reasoning be the same, as if it were universal.
This application of ideas beyond their nature proceeds from our collecting all their possible degrees of quantity and quality in such an imperfect manner as may serve the purposes of life, which is the second proposition I proposed to explain. When we have found a resemblance[4] among several objects, that often occur to us, we apply the same name to all of them, whatever differences we may observe in the degrees of their quantity and quality, and whatever other differences may appear among them. After we have acquired a custom of this kind, the hearing of that name revives the idea of one of these objects, and makes the imagination conceive it with all its particular circumstances and proportions. But as the same word is supposed to have been frequently applied to other individuals, that are different in many respects from that idea, which is immediately present to the mind; the word not being able to revive the idea of all these individuals, but only touches the soul, if I may be allowed so to speak, and revives that custom, which we have acquired by surveying them. They are not really and in fact present to the mind, but only in power; nor do we draw them all out distinctly in the imagination, but keep ourselves in a readiness to survey any of them, as we may be prompted by a present design or necessity.
The word raises up an individual idea, along with a certain custom; and that custom produces any other individual one, for which we may have occasion. But as the production of all the ideas, to which the name may be applied, is in most eases impossible, we abridge that work by a more partial consideration, and find but few inconveniences to arise in our reasoning from that abridgment.
[4] It is evident, that even different simple ideas may have a similarity or resemblance to each other; nor is it necessary, that the point or circumstance of resemblance shoud be distinct or separable from that in which they differ. BLUE and GREEN are different simple ideas, but are more resembling than BLUE and SCARLET; tho their perfect simplicity excludes all possibility of separation or distinction. It is the same case with particular sounds, and tastes and smells. These admit of infinite resemblances upon the general appearance and comparison, without having any common circumstance the same. And of this we may be certain, even from the very abstract terms SIMPLE IDEA.
They comprehend all simple ideas under them. These resemble each other in their simplicity. And yet from their very nature, which excludes all composition, this circumstance, In which they resemble, Is not distinguishable nor separable from the rest. It is the same case with all the degrees In any quality. They are all resembling and yet the quality, In any individual, Is not distinct from the degree.
The idea of a substance as well as that of a mode, is nothing but a collection of Simple ideas, that are united by the imagination, and have a particular name assigned them, by which we are able to recall, either to ourselves or others, that collection. But the difference betwixt these ideas consists in this, that the particular qualities, which form a substance, are commonly referred to an unknown something, in which they are supposed to inhere; or granting this fiction should not take place, are at least supposed to be closely and inseparably connected by the relations of contiguity and causation. The effect of this is, that whatever new simple quality we discover to have the same connexion with the rest, we immediately comprehend it among them, even though it did not enter into the first conception of the substance. Thus our idea of gold may at first be a yellow colour, weight, malleableness, fusibility; but upon the discovery of its dissolubility in aqua regia, we join that to the other qualities, and suppose it to belong to the substance as much as if its idea had from the beginning made a part of the compound one. The principal of union being regarded as the chief part of the complex idea, gives entrance to whatever quality afterwards occurs, and is equally comprehended by it, as are the others, which first presented themselves.
That this cannot take place in modes, is evident from considering their nature. The simple ideas of which modes are formed, either represent qualities, which are not united by contiguity and causation, but are dispersed in different subjects; or if they be all united together, the uniting principle is not regarded as the foundation of the complex idea. The idea of a dance is an instance of the first kind of modes; that of beauty of the second. The reason is obvious, why such complex ideas cannot receive any new idea, without changing the name, which distinguishes the mode.
A very material question has been started concerning ABSTRACT or GENERAL ideas, WHETHER THEY BE GENERAL OR PARTICULAR IN THE MIND'S CONCEPTION OF THEM. A great philosopher[3] has disputed the received opinion in this particular, and has asserted, that all general ideas are nothing but particular ones, annexed to a certain term, which gives them a more extensive signification, and makes them recall upon occasion other individuals, which are similar to them. As I look upon this to be one of the greatest and most valuable discoveries that has been made of late years in the republic of letters, I shall here endeavour to confirm it by some arguments, which I hope will put it beyond all doubt and controversy.
[3] Dr. Berkeley. [Introd. : to ‘Principles of Human Knowledge,’ secs. 18 &c.
Cf. also Introd. to this volume paragraphs 183 and ff. —Ed.
It is evident, that in forming most of our general ideas, if not all of them, we abstract from every particular degree of quantity and quality, and that an object ceases not to be of any particular species on account of every small alteration in its extension, duration and other properties. It may therefore be thought, that here is a plain dilemma, that decides concerning the nature of those abstract ideas, which have afforded so much speculation to philosophers. The abstract idea of a man represents men of all sizes and all qualities; which it is concluded it cannot do, but either by representing at once all possible sizes and all possible qualities, or by, representing no particular one at all. Now it having been esteemed absurd to defend the former proposition, as implying an infinite capacity in the mind, it has been commonly inferred in favour of the latter: and our abstract ideas have been supposed to represent no particular degree either of quantity or quality. But that this inference is erroneous, I shall endeavour to make appear, first, by proving, that it is utterly impossible to conceive any quantity or quality, without forming a precise notion of its degrees: And secondly by showing, that though the capacity of the mind be not infinite, yet we can at once form a notion of all possible degrees of quantity and quality, in such a manner at least, as, however imperfect, may serve all the purposes of reflection and conversation.
To begin with the first proposition, THAT THE MIND CANNOT FORM ANY NOTION OF QUANTITY OR QUALITY WITHOUT FORMING A PRECISE NOTION OF DEGREES OF EACH; we may prove this by the three following arguments. First, We have observed, that whatever objects are different are distinguishable, and that whatever objects are distinguishable are separable by the thought and imagination. And we may here add, that these propositions are equally true in the inverse, and that whatever objects are separable are also distinguishable, and that whatever objects are distinguishable, are also different. For how is it possible we can separate what is not distinguishable, or distinguish what is not different? In order therefore to know, whether abstraction implies a separation, we need only consider it in this view, and examine, whether all the circumstances, which we abstract from in our general ideas, be such as are distinguishable and different from those, which we retain as essential parts of them.
But it is evident at first sight, that the precise length of a line is not different nor distinguishable from the line itself nor the precise degree of any quality from the quality. These ideas, therefore, admit no more of separation than they do of distinction and difference. They are consequently conjoined with each other in the conception; and the general idea of a line, notwithstanding all our abstractions and refinements, has in its appearance in the mind a precise degree of quantity and quality; however it may be made to represent others, which have different degrees of both.
Secondly, it is contest, that no object can appear to the senses; or in other words, that no impression can become present to the mind, without being determined in its degrees both of quantity and quality. The confusion, in which impressions are sometimes involved, proceeds only from their faintness and unsteadiness, not from any capacity in the mind to receive any impression, which in its real existence has no particular degree nor proportion. That is a contradiction in terms; and even implies the flattest of all contradictions, viz. that it is possible for the same thing both to be and not to be.
Now since all ideas are derived from impressions, and are nothing but copies and representations of them, whatever is true of the one must be acknowledged concerning the other. Impressions and ideas differ only in their strength and vivacity. The foregoing conclusion is not founded on any particular degree of vivacity. It cannot therefore be affected by any variation in that particular. An idea is a weaker impression; and as a strong impression must necessarily have a determinate quantity and quality, the case must be the same with its copy or representative.
Thirdly, it is a principle generally received in philosophy that everything in nature is individual, and that it is utterly absurd to suppose a triangle really existent, which has no precise proportion of sides and angles. If this therefore be absurd in fact and reality, it must also be absurd in idea; since nothing of which we can form a clear and distinct idea is absurd and impossible. But to form the idea of an object, and to form an idea simply, is the same thing; the reference of the idea to an object being an extraneous denomination, of which in itself it bears no mark or character. Now as it is impossible to form an idea of an object, that is possest of quantity and quality, and yet is possest of no precise degree of either; it follows that there is an equal impossibility of forming an idea, that is not limited and confined in both these particulars. Abstract ideas are therefore in themselves individual, however they may become general in their representation.
The image in the mind is only that of a particular object, though the application of it in our reasoning be the same, as if it were universal.
This application of ideas beyond their nature proceeds from our collecting all their possible degrees of quantity and quality in such an imperfect manner as may serve the purposes of life, which is the second proposition I proposed to explain. When we have found a resemblance[4] among several objects, that often occur to us, we apply the same name to all of them, whatever differences we may observe in the degrees of their quantity and quality, and whatever other differences may appear among them. After we have acquired a custom of this kind, the hearing of that name revives the idea of one of these objects, and makes the imagination conceive it with all its particular circumstances and proportions. But as the same word is supposed to have been frequently applied to other individuals, that are different in many respects from that idea, which is immediately present to the mind; the word not being able to revive the idea of all these individuals, but only touches the soul, if I may be allowed so to speak, and revives that custom, which we have acquired by surveying them. They are not really and in fact present to the mind, but only in power; nor do we draw them all out distinctly in the imagination, but keep ourselves in a readiness to survey any of them, as we may be prompted by a present design or necessity.
The word raises up an individual idea, along with a certain custom; and that custom produces any other individual one, for which we may have occasion. But as the production of all the ideas, to which the name may be applied, is in most eases impossible, we abridge that work by a more partial consideration, and find but few inconveniences to arise in our reasoning from that abridgment.
[4] It is evident, that even different simple ideas may have a similarity or resemblance to each other; nor is it necessary, that the point or circumstance of resemblance shoud be distinct or separable from that in which they differ. BLUE and GREEN are different simple ideas, but are more resembling than BLUE and SCARLET; tho their perfect simplicity excludes all possibility of separation or distinction. It is the same case with particular sounds, and tastes and smells. These admit of infinite resemblances upon the general appearance and comparison, without having any common circumstance the same. And of this we may be certain, even from the very abstract terms SIMPLE IDEA.
They comprehend all simple ideas under them. These resemble each other in their simplicity. And yet from their very nature, which excludes all composition, this circumstance, In which they resemble, Is not distinguishable nor separable from the rest. It is the same case with all the degrees In any quality. They are all resembling and yet the quality, In any individual, Is not distinct from the degree.